Music Information Geometry
Information geometry is a recent field of mathematics, in particular of statistical inference, that studies the notions of probability and information by the way of differential geometry. It is an emerging field that brings together various fields such as machine learning, information theory, signal processing, and differential geometry.
This project aims at introducing the theoretical concepts and notions of information geometry useful in the development of a formal mathematical framework for the manipulation of audio streams. The idea is to provide alternative structures of manipulation, that respect the temporal and probabilistic natures of audio streams more than the usual structures used in audio content analysis applications do.
This formal framework leads to two applicative fields: automatic structure learning as well as audio stream transformation. The first field is part of the general framework of audio content analysis with applications to automatic structure discovery, automatic segmentation, automatic recognition of auditory scenes, etc. Concerning the second field, applications can be found in audio restoration, data encoding and compression, as well as in providing new methods for sound transformation in analysis-synthesis schemes.
This page provides information about our research progress in this emerging field at Ircam.
- Audio Oracle: Incremental analysis of audio structures
- Guidage: Fast query by example retrieval for concatenative sound synthesis
- French Research Group on Information Geometry in partnership with Ecole Polytechnique and Thales Research.
- IMTR: Arshia Cont (Researcher), Arnaud Dessein (PhD student)
- Internal: Gérard Assayag (RepMus, Ircam)
- External: Shlomo Dubnov (UCSD).
Cont A., Dubnov S., and Assayag G., On the Information Geometry of Audio Streams with Applications to Similarity Computing, IEEE Transactions on Audio, Speech and Language Processing, Vol. 19, no. 4, Pp. 837-846, 2011. (preprint) (bibtex)
Arshia Cont, Modeling Musical Anticipation: From the time of music to the music of time. PhD thesis in Acoustics, Signal Proc., and Computer Sci. Applied to Music (ATIAM). University of Paris 6 (UPMC), and University of California San Diego (UCSD), 2008.